theshoutingendoflife:

jaclcfrost:

standing next to sunflowers always makes me feel weak like “look at this fucking flower. this flower is taller than i am. this flower is winning and i’m losing”

Wow you are not ready to hear about trees.

asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info

asylum-art:

Sylvia Evers Sculptures

Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes.

hot-potato-cold-bazooka:

hot-potato-cold-bazooka:

So I’m moving into a new apartment, and I was told that the room had been damaged, but nothing could have prepared me for the fact that someone had carved Li Shang’s head out of the bathroom door and written “We must defeat the Huns!” on it.

image

I don’t understand why sex is more shocking than violence.

Lea Seydoux talking about American films.  (via pradahoe)